Jessica Jones: Feminist anti-hero in an urban frontier

Abstract:

This paper analyzes the Netflix series Jessica Jones through an exploration of the Frontier Myth, the principles of “Manifest Destiny” and the characteristics of the anti-hero. It also considers the traditional and emerging archetypes in the comic book genre and alludes to how/why the Jessica Jones character is unique and/or may evidence departures from the traditional types. Based on the Marvel Comic book series of the same title, Jessica Jones is the principle character endowed with superhuman abilities. Those abilities and her streetsmarts along with her work as a PI correlates with the search for opportunity and freedom central in the Frontier Myth. The Frontier Myth is a helpful lens in understanding the plot, theme, and character development of Jessica Jones. One the other hand, Jessica Jones begins the series challenging her “Manifest Destiny” by avoiding her duty or obligation to others and/or society at large.  Additionally, in a departure from the traditional, and frequently male, superhero archetype, Jessica Jones is an anti-hero. The anti-hero is customarily used as an archetype for male comic book and TV characters. The anti-hero is characterized by the Dark Triad: narcassism, psychopathy, and Machiavellianism. These traits explain Jessica Jones’ antisocial, self-serving and manipulative characteristics. As such, this series and character help illuminate elements of the Frontier Myth and expand upon the anti-hero archetypes in a current televised version of a classic comic book series. Furthermore, this analysis highlights the ways this character development and story form are evidence of the departures from the myth as well as the superhero genre.